Sunday, September 12, 2010
I sang a sparer, far less elegant version of Psalm 51 yesterday evening at the vigil Mass. The Miserere — from the first word in the Latin translation of this psalm - is one of my favorite psalms, despite its penitential character. I appreciate having words to directly acknowledge the ways I fail — no waffling — but I also love the way the psalmist pleas, not just for mercy, not just for forgiveness, but for wisdom, for growth.
It's rainy and cool here today — a soft healing rain that we need badly, a surcease from the heat of summer. This somber, gentle arrangement of Psalm 51 - Bach's riff on Pergolesi's Stabat Mater - fit my contemplative mood.
Pergolesi's Stabat Mater is another favorite. When I made the Long Retreat, one of the other three women along wanted music to accompany her through the contemplations of the Passion. I (who wanted utter shattering silence) lent her my iPod for the week, loaded with the music she'd wanted (Bach's St. Matthew's Passion) plus the rest of my Lenten list, and a note saying that if she needed help with the device to ask our mutual director for help. A couple of days later, my director wanted to know just how many different versions of the Stabat Mater I'd left Yvonne! More than I could tell him offhand....
Cross posted from the RevGalBlogPals.
1. Dangerous Mirrors (thoughts about Allegri's setting of Psalm 51)
2. All things counter, original, spare, strange