I have so many mugs. Mugs that were gifts. Mugs that were swag. Mugs I bought because I was enamored of their shape or color or material. Mugs bought as mementos of a trip or event. Mugs bought out of desperation. (I'm thinking of one bought in South Bend so I could make a morning cup of tea that did not taste of coffee.) I still have the Sandra Boynton mug Tom bought me in graduate school during a particularly awful week, 45 years ago.
I keep a selection of mugs in the kitchen, and a few at the office. Periodically I rotate what's out. When I grab a mug for the day I often pick one to match my mood or one that speaks to the work of the day. Yesterday was a mug from the Vatican Observatory, to get me in the mood to talk about my work there with a group of 7th and 8th graders at a local parish.
I bought today's mug at the St. John's Abbey pottery when I was on retreat there for a few days in 2014. I met the potter who shaped it. This is a traditional Japanese pottery, where the wood-fired kiln is loaded with a year's worth of ceramics, then sealed and fired for 10 days. After everything is cool, the pieces are dug out of the ashes.
I think about the shape of this mug, which feels so suited to my own hand, but also reflecting the hand of the potter. It looks delicate, thin. But cup it in your hands and you can feel its strength. Fire has turned clay to jeweled stone. The glaze pattern has a touch of cool blue at the top, yet you can see the marks of the firing on the side, like stigmata. Fire and water.
What do I feel like held in the hand of God, I wonder. Shaped by the divine potter, by water and fire. Dug out from the ashes, again and again.
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